Storyteller
This archival, hand-sewn journal/sketchbook is made from 80 gsm Mohawk Superfine archival paper stitched with Irish linen thread in the linked pattern that dates back to the ancient Copts. This stitch allows the book to lay open easily at any page.
This book’s endbands are blue and white cotton, and its bookmark is blue satin ribbon. Its spine is covered Dubletta cloth from the Netherlands, and its boards are wrapped in washi paper that was silk screened in Japan in a factory where kimono fabric is printed.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this journal is an early 20th Century British story-telling medal. This wouldn’t be yours if you didn’t have a great story to tell.
This archival, hand-sewn journal/sketchbook is made from 80 gsm Mohawk Superfine archival paper stitched with Irish linen thread in the linked pattern that dates back to the ancient Copts. This stitch allows the book to lay open easily at any page.
This book’s endbands are blue and white cotton, and its bookmark is blue satin ribbon. Its spine is covered Dubletta cloth from the Netherlands, and its boards are wrapped in washi paper that was silk screened in Japan in a factory where kimono fabric is printed.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this journal is an early 20th Century British story-telling medal. This wouldn’t be yours if you didn’t have a great story to tell.
This archival, hand-sewn journal/sketchbook is made from 80 gsm Mohawk Superfine archival paper stitched with Irish linen thread in the linked pattern that dates back to the ancient Copts. This stitch allows the book to lay open easily at any page.
This book’s endbands are blue and white cotton, and its bookmark is blue satin ribbon. Its spine is covered Dubletta cloth from the Netherlands, and its boards are wrapped in washi paper that was silk screened in Japan in a factory where kimono fabric is printed.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this journal is an early 20th Century British story-telling medal. This wouldn’t be yours if you didn’t have a great story to tell.