Fimm
This archival, hand-sewn journal is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked pattern that was developed by the ancient Copts and discovered in Nag Hammadi, Egypt in 1945. This stitch allows the book to lay open easily at any page.
This book’s endbands are navy and yellow silk, and its bookmark is blue satin ribbon. Its spine is covered in River grain goat leather that was vegetal tanned by Steve Siegal in California, and its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury in Cambridge, England.
This book has a gently rounded spine, making it easy to pack, to use, and to look at. The Hajnemühle Ingres paper has a natural deckle edge that is textured and nuanced. It’s natural, rugged, beautiful and elegant.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fimm kroner Icelandic coin featuring a pair of dolphins. Dolphins are intelligent mammals who enjoy using language; so are journal users.
This archival, hand-sewn journal is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked pattern that was developed by the ancient Copts and discovered in Nag Hammadi, Egypt in 1945. This stitch allows the book to lay open easily at any page.
This book’s endbands are navy and yellow silk, and its bookmark is blue satin ribbon. Its spine is covered in River grain goat leather that was vegetal tanned by Steve Siegal in California, and its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury in Cambridge, England.
This book has a gently rounded spine, making it easy to pack, to use, and to look at. The Hajnemühle Ingres paper has a natural deckle edge that is textured and nuanced. It’s natural, rugged, beautiful and elegant.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fimm kroner Icelandic coin featuring a pair of dolphins. Dolphins are intelligent mammals who enjoy using language; so are journal users.
This archival, hand-sewn journal is made from 100 gsm, rose Hahnemühle Ingres mouldmade paper from Germany, sewn with Irish linen thread in the linked pattern that was developed by the ancient Copts and discovered in Nag Hammadi, Egypt in 1945. This stitch allows the book to lay open easily at any page.
This book’s endbands are navy and yellow silk, and its bookmark is blue satin ribbon. Its spine is covered in River grain goat leather that was vegetal tanned by Steve Siegal in California, and its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury in Cambridge, England.
This book has a gently rounded spine, making it easy to pack, to use, and to look at. The Hajnemühle Ingres paper has a natural deckle edge that is textured and nuanced. It’s natural, rugged, beautiful and elegant.
Treasure binding began with monks in the 6th Century who would encrust volumes with jewels. During the Renaissance, there was a resurgence in treasure binding. This is a contemporary revival of the treasure binding in which a lucky charm has been embedded in the cover of this book.
The talisman in this book is a fimm kroner Icelandic coin featuring a pair of dolphins. Dolphins are intelligent mammals who enjoy using language; so are journal users.