1 Prix
This journal/sketchbook is made from 85 gsm Arches hand-laid, all cotton rag paper from France. It is sewn with Irish linen in the linked stitch pattern that was developed by the ancient Copts. This stitch allows the book to lay open at any page.
Its endbands are sheepskin, and its bookmark and spine are French Alran goatskin processed at Rocky Mountain Leather Supply in Utah. Its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury Paper in Cambridge, England.
The talisman in this book is an 1880 first place art school prize in technical drawing from the City of Paris. Its obverse reads “1re Année Prix/Ville de Paris/1880/Ecole Municipal de de Dessin Practique.” Proof positive that art, while meritorious, is can also be practical.
This journal/sketchbook is made from 85 gsm Arches hand-laid, all cotton rag paper from France. It is sewn with Irish linen in the linked stitch pattern that was developed by the ancient Copts. This stitch allows the book to lay open at any page.
Its endbands are sheepskin, and its bookmark and spine are French Alran goatskin processed at Rocky Mountain Leather Supply in Utah. Its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury Paper in Cambridge, England.
The talisman in this book is an 1880 first place art school prize in technical drawing from the City of Paris. Its obverse reads “1re Année Prix/Ville de Paris/1880/Ecole Municipal de de Dessin Practique.” Proof positive that art, while meritorious, is can also be practical.
This journal/sketchbook is made from 85 gsm Arches hand-laid, all cotton rag paper from France. It is sewn with Irish linen in the linked stitch pattern that was developed by the ancient Copts. This stitch allows the book to lay open at any page.
Its endbands are sheepskin, and its bookmark and spine are French Alran goatskin processed at Rocky Mountain Leather Supply in Utah. Its boards are wrapped in paper that was hand-marbled by Katherine Brett at Payhembury Paper in Cambridge, England.
The talisman in this book is an 1880 first place art school prize in technical drawing from the City of Paris. Its obverse reads “1re Année Prix/Ville de Paris/1880/Ecole Municipal de de Dessin Practique.” Proof positive that art, while meritorious, is can also be practical.